Images by: Ryan Fish
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Planetary Sculpture Supper Club Adventure Eating
Portland, OR is home to a plethora of foodies, culinary masterminds and adventurous eaters. I fit in somewhere as an adventurous mastermind with a deep appreciation for food. As far as food explorations go, I’ve eaten a pretty healthy sampling throughout my life, and I’d go so far as to say I’ve been more adventurous than the average person. The Center for Genomic Gastronomy’s first Planetary Sculpture Supper Club, held Saturday, June 15th, introduced me to some interesting and incredible dishes, as I was fortunate enough to work alongside the conceptual culinary goddess, Heather Julius of Special Snowflake Studio.
Five courses were prepared and presented to our guests for the evening, with each dish accompanied by a bit of context and relevancy. Food was the medium through which the narrative was told of how humans have sculpted the planetary biosphere.
Zack and Cat introduced each dish, while Heather, myself and a few other trusty CENTGG interns and volunteers prepped and plated behind the scenes.
The main course featured squab and the presentation of this dish became the highlight of my evening as I took on the role of Resident Beet Blood Splatter Artist. Behold my handiwork below.
The evening was a success and was promptly followed by a well-earned celebratory drink.
If you are interested in attending one of the upcoming Supper Club events, you may find all necessary information here: Planetary Sculpture Supper Club Events and Tickets
Headline Haiku
Strange things start to happen when you list headlines in order of appearance…..
Modified Wheat is Discovered in Oregon.
Japan and South Korea bar imports of U.S. wheat,
Modified Wheat Is Discovered in Oregon
By ANDREW POLLACK
Published: May 29, 2013
Unapproved genetically engineered wheat has been found growing on a farm in Oregon, federal officials said Wednesday, a development that could disrupt American exports of the grain.
The Agriculture Department said the wheat was of the type developed by Monsanto to be resistant to the herbicide Roundup, also known as glyphosate. Such wheat was field-tested in 16 states, including Oregon, from 1998 through 2005, but Monsanto dropped the project before the wheat was ever approved for commercial planting.
…
Japan and South Korea Bar Imports of U.S. Wheat
By VICTORIA SHANNON
Published: May 31, 2013
Japan and South Korea suspended some imports of American wheat, and the European Union urged its 27 nations to increase testing, after the United States government disclosed this week that a strain of genetically engineered wheat that was never approved for sale was found growing in an Oregon field.
Although none of the wheat, developed by Monsanto Company, was found in any grain shipments — and the Department of Agriculture said there would be no health risk if any was shipped — governments in Asia and Europe acted quickly to limit their risk.
…
Genetically Altered Wheat in Oregon Comes as No Surprise
By MICHAEL WINES
Published: June 5, 2013
One week after the revelation that an Oregon farmer had found genetically engineered wheat growing in his fields, scientists remain mystified over how the strain — apparently the remains of a test crop shut down a dozen years ago — got there.
But few are surprised. Even with extensive precautions, gene-altered plants turn up in unwanted places regularly enough that farmers have come to consider a few of them weeds, and even a threat to their livelihood.
…
Biotech wheat inevitable, industry says
By SEAN ELLIS
Posted: Friday, June 14, 2013 12:00 AM
Idaho Wheat Commission Executive Director Blaine Jacobson believes commercial genetically modified wheat in the U.S. market is about 8 to 10 years away, but it wouldn’t surprise him to see it appear sooner in another country.
“There is a lot of research on transgenic wheat underway, (and) I don’t think there’s any doubt it will happen,” Jacobson said. “It’s just a question of when it’s going to happen.”
Open Source Mineral Water
From Issue #0 of our FoodPhreaking publication:
Thanks to Carl Disalvo for the reference to instructions on making your own mineral water at home.
IMAGE
Title: Hungarian mineralwater firms’ advertisements before 1920
Author: Takkk
Source: wikimedia commons
Hacking for Bubbles
By Intern #1.
As it turns out, working with artists is exposing me to kitschy home appliances I never would have known existed. Case in point: the SodaStream.
I had some vague notion of this machine’s existence but no clue as to its popularity. In case you are just as oblivious as I, allow me to explain what this appliance is. It is simplistic in design and is essentially plastic housing for a CO2 canister and a pour spout allowing people to carbonate water and create their own sodas.
Supposedly, only water should be run through the machine but I can’t fathom a world in which a machine with the power to carbonate liquids could possibly exclude booze. Reasons like this are probably why I am not allowed to own said appliance. Also- why I do not own a deep-fryer. I’m just the intern. I’ll leave it to the artists to go rogue and exploit the kitchen gadgets.
So, the deal with these SodaStreams is that they have a proprietary CO2 canister that ends up costing the user a lot of money that hardly makes at-home carbonated beverages seem worth it. But, the geniuses on the internet have come up with several hacks (modifications) to make the threading fit regular paintball CO2 canisters and large tanks alike.
The most hilariously named hack of them all is the FreedomOne. I don’t know about you, but I imagine an entire ad campaign of people frolicking into the streets, tossing their SodaStream CO2 canisters aside as if they were the bras from recently liberated women and slow-motion running whilst high-fiving one another. Be freed from the burden of costly proprietary CO2 tanks (but not your soda addiction) and get the FreedomOne! In all seriousness though, of the hacks available, this one seems the most logical since it will work with all the past and present SodaStream models and various sized CO2 tanks. Links are posted below for several how-tos and sites for ordering parts.
Long live fizzy drinks and down with the man!
Gummy Cladistics v. 1.0
Installed at the Weird Shift Con in June 2013.
Planetary Sculpture Supper Club at the Center for PostNatural History
On March 28, 2013 we held an edition of the Planetary Sculpture Supper Club in Pittsburgh, PA.
The Center for Genomic Gastronomy worked in collaboration with The Center for PostNatural History & PostNatural Art Studio at Carnegie Mellon University. Students from the studio designed and prepared dishes. What follows are some of the stories and foods that were shared.
Final menu:
apéritif
Three Milks: Alive, Dead & Resurrected
tasting flight
A Selection of Five Sugars
amuse bouche
Invisible: Root Vegetable Stew with Waxworm Roux
on Waxworm Fritter
Imposter: Lumpia “Wax Moth” atop a Honey-Chile Sauce
Immaculate: Waxworm Soft Shell Taco with Chile Marrón
main
Producer: Seaweed Salad
Primary Consumer: Boiled Shrimp Tossed in an Old Bay Blend
Secondary Consumer: Pan-Fried Catfish
Secondary Consumer: Seared Lemon-Pepper Pike
Tertiary Consumer: Blackened Alligator in a Citrus Honey Sauce
digestif
Frackfluid & Baileys
dessert
Lemon Curd, Avacado & Sour Cream Tartlet
Served with a Miracle Berry
A Word on Planetary Sculpture: Eaters as Agents of Selection
The Planetary Sculpture Supper Club is a collection of foods, recipes and stories that typify some of the ways humans unconsciously sculpt the planet’s biosphere through eating habits, flavour preferences and food technologies. We hope this semi-regular Supper Club is an opportunity to explore the co-evolution of gastronomy and larger ecological, technological and political systems.
Animal and plant breeders have steered evolution for thousands of years. However, eaters and chefs ALSO exert selection pressures on the kinds of life forms and ingredients that are propagated within the eco-agro-culinary system.Every human eater slowly reformulates the planet as they consume it.
The daily choices we make about what to eat for dinner, whether it’s a Big Mac meal or a homegrown salad, impacts the diversity, abundance and distribution of life on the planet. Every time a food-secure eater chooses to eat one kind of food over another they make a small, downstream, but not insignificant selection pressure that privileges certain genomes to propagate on the planet. You, as an eater, are an agent
of selection.
With a dramatic increase in the human population over the last century, and an increasing amount of land and planetary biomass dedicated to the human food system, human eaters are some of the most powerful forces of planetary sculpture.
WITHIN OUR GLOBAL CIVILIZATION AND GLOBAL FOOD SYSTEM, EATERS ARE AGENTS OF SELECTION. THE GENES, GENOMES AND INGREDIENTS THAT ARE PROPAGATED ARE THE ONES YOU PREFER TO EAT.
– Center for Genomic Gastronomy
apertif
Three Milks: alive, dead & resurrected
by Natalya Pinchuk and Dana Sperry
For this aperitif course, we present to you a tasting of milk in three distinct forms—raw without any processing as it comes from the cow, lifeless and reconstituted from freeze dried powder, and dead milk resurrected with kefir grains of bacteria and yeasts. Milk is at the center of many cultural narratives and myths, ideological arguments, commercial interests, scientific debates, and health fads. Who would have thought milk to be so complicated?
The first two samplings speak for opposing agricultural and economic systems. The raw milk represents the idyllic local small farm with happy cows grazing in beautiful pastures, serving the needs of individuals’ gut microflora nearby. The powdered milk comes to us from the industrial food complex with an abundance of ethical and environmental problems, yet it allows for long term storage and ease of transportation across large distances, especially useful in moments of crisis. One nourishes the holistic body, the other addresses the logistics of feeding large populations. We offer the third cup as a possibility for addressing both. Please taste and contemplate these worldviews.
alive
Whole Raw Cow’s Milk
Sourced from Swiss Villa, Wrightsville, PA Labeled as 100% grass fed, no grain, no soy, no corn. “Raw Milk is known to contain harmful bacteria and may cause food borne illness. These bacteria can seriously affect the health of anyone who drinks raw milk, however they are particularly dangerous to pregnant women, children, the elderly and people with weakened immune systems.”
– PA Department of Agriculture
dead
Reconstituted Instant Nonfat Dry Milk
Sourced from Shurfine®, WesternFamily Foods, Inc.
Labeled as rich in calcium, fortified with vitamins A&D, no preservatives, pasteurized, extra grade.
ingredients: nonfat dry milk, vitamin A palmitate, vitamin D3
resurrected
Shurfine® Milk Kefir
Shurfine instant nonfat dry milk and water cultured with kefir grains*
Fermentation by-products: carbon dioxide, ethanol (alcohol)
Tasting Flight
Tip of the Tongue: a selection of five sugars
by Max Hawkins & Melissa Bryan
“What is in a name? That which we call a rose by any other name would smell as sweet.” – William Shakespeare, Romeo and Juliet
But what is sweetness? For most, the definition ends at “tastes like sugar,” but in truth the sensation is more complex. Each sweetness is not Equal. We present a course of five sugars and sugar substitutes in an attempt to expand the definition of sweetness. Through each sweetener’s history we highlight the improbability of its discovery, its unique flavor profile, and the unlikely role that the human tongue played in the development of sugar.
Notes on Tasting
Most sweeteners were discovered on the tip of a scientist’s finger. As a reflection of this process, we invite you to taste each sugar from your fingertips. For the clearest tasting experience, reserve a finger for each sugar. Place the sugar on the tip of your tongue and allow it to move toward the back of your mouth. Cleanse the palate in between tastings with sparkling water.
Amuse Bouche
The Trinity of Entomophagy: invisible : imposter : immaculate
by Rigel Richardson & Lazae LaSpina
We aim to persuade our dinner guests that: The aversion to eating insects is psychological and can be overcome through good experiences; Insect foods can (and should) be delicious; insects are not an exotic ingredient; insects do not need to be prominent and visible as a part of your food.
Taking inspration from the Catholic ideas of Transubstantiation and the Trinity, our dish focuses on the acknowledgement of our food source as once-living organism and aims to knock down a few insect-food myths. Through a playful (and genuinely respectful) ritualized consumption, we follow the Waxworm from its food source (honey) to what would have been its adulthood (the Wax Moth) through three tiny courses.
Invisible Take comfort in comfort food! You can’t see the insects
The first course (pot pie filling with waxworm roux on waxworm fritter) incorporates the insect less apparently, demonstrating that insects do not have to be a visible component of a meal to add to its flavor and/or nutritional content. It also shows that Insects can be incorporated into very ordinary dishes and should not be exclusively a feature
of exotic cuisine.
Ritual Aspect: Anise Hyssop dried leaves to sprinkle on the fritter before consuming. To spiritually cleanse the space/food before eating begins.
Imposter: It’s the same as other foods that crunch and squish
Our second course (vegetarian lumpia) presents an artistic wax moth facsimile that possesses some of the repulsive aspects of whole insects as food sources. Laying in a swirl of chile-honey sauce, the moth’s body, a single lumpia, crunches to reveal a soft center. But these are also natural aspects of many accepted foods (tacos, lumpia, pastries, etc.) and therefore can be overcome psychologically when approaching an insect as food.
Ritual Aspect: Thyme leaves in the honey to smudge onto the lumpia. To invite positive energy and for courage to consume the third course!
Immaculate The insect revealed through its remarkable life cycle. Take it or leave it!
The third course (waxworm tacos) challenges the dinner guest to overcome their fears or hesitations. With at least one good experience and a gentle confrontation with potential aversions out of the way, what lies ahead is one last delicious morsel very obviously featuring waxworms.
Ritual Aspect: Tulsi (Holy Basil) dried leaves to sprinkle on the taco before consuming. To perform a blessing of enlightenment.
Main
Upstream: a sampling of a southern aquatic food chain
by Allison Huey & Nathan Trevino
This course presents a sampling of various organisms from an aquatic food chain of the southeastern plains and southern coastal plains ecoregions of the United States. We chose to include a producer and three different types of consumers, preparing them in ways that reflect their regions of origin.
The samples are plated in a circle, reflecting the cyclical nature of food chains and the transfer of energy throughout. We invite our diners to participate in not only the consuming of these organisms, but also the consideration of our own place within food chains and the ways we alter them for our own personal gain.
A.
Producer
Undaria pinnatifida
Seaweed Salad
B.
Primary Consumer
Litopenaeus setiferus
Boiled shrimp tossed
in an Old Bay blend
C.
Secondary Consumer
Ictalurus furcatus
Pan-fried catfish
D.
Secondary Consumer
Esox niger
Grilled lemon-pepper pike
E.
Tertiary Consumer
Alligator mississippiensis
Blackened alligator in
a citrus honey sauce
Cocktail
Frackfluid & Baileys: exploring the murky layers of hydaulic fracking
by Sarah Anderson & Jess Waldman
The Fracktails water bar combines representations of the basic aspects of the hydraulic fracturing process with some small bit of human enrichment activity. The drink consists of various alcoholic beverages encased in ice. The ice is then permeated with a small drilled hole and carbonated water is pumped inside. The liquors represent the chemicals used in the process, while the carbonated coffee represents the large amounts of water used. The syringe represents the pumping of the fluids into the underground drilled pipeline, to release the gasses leaking from the shale fractures. The bubbles from the carbonated water represent those natural gasses. And the ice structure that surrounds all this represents the contaminated groundwater. The fracking process that the guests get to learn, watch, and do is the human enrichment aspect of the project.
Dessert
Miracle Berry: change the eater, not the food
by Natalya Pinchuk with The Center for Genomic Gastronomy
The last course of the evening highlights one area of emerging research at the Center for Genomic Gastronomy: using novel ingredients to cook the eater and not the food. The use of the miracle berry (Synsepalum dulcificum) is an example of preparing food for consumption by manipulating the eater. The miracle berry contains a glycoprotein called miraculin, that temporarily stimulates sweet taste receptors and masks sour-taste buds, causing the brain to have anomalous food experiences. Once eaters are in an altered state of culinary consciousness, specific meals can be prepared to cause delight and surprise. What other chemical, architectural, biological and psychological interventions can be identified or imagined for human eaters, in order to modify taste?
Miraculin itself has a hotly contested history. The plant is indigenous to West Africa, where it is used to improve the palatability of acidic maize dishes and to sweeten sour beverages. The plant and uses for its fruit were documented by French explorer Chevalier des Marchais in 1725. A failed attempt was made in the 1970s to commercialize the fruit when the US FDA classified the berry as a food additive. It is unclear how lobbying by the U.S. sugar industry effected this decision, because the FDA has refused to release files on the subject. More recently, Japanese scientists have created a genetically stable expression of functional miraculin in transgenic tomato plants.
CREDITS
This Planetary Sculpture Supper Club, Pittsburgh
is presented to you by:
The Center for Genomic Gastronomy
The Center for PostNatural History
Natalya Pinchuk and Dana Sperry
And all the students in the PostNatural Art Studio
at Carnegie Mellon University:
Allison Huey
Jess Waldman
Lazae LaSpina
Max Hawkins
Melissa Bryan
Nathan Trevino
Rigel Richardson
Sarah Anderson
Special thanks to Lauren for her patience as we bombarded her kitchen.
This work is licensed under a Creative Commons Attribution-ShareAlike 3.0 United States License.
Intern #1. Update #1. Open Engagement Conference.
by Emilie
The Center for Genomic Gastronomy was invited to participate in Portland State University’s Open Engagement Conference during the weekend of May 17th-19th. This international conference, centered around social practice, seeks to foster meaningful dialogue about socially and politically engaged art-making practices.
Zack Denfeld gave a lunchtime lecture about the professional practice he has with Cathrine (Cat) Kramer, The Center for Genomic Gastronomy (CENTGG). Cat was unable to make the lecture at the last minute , so I got catapulted into the mix. I am, until I come up with a better, more important sounding faux-title, calling myself (in Steve Zissou-style) Intern #1. And no, unfortunately, I don’t have a Glock, or even one to share.
The morning began with purchasing eight pounds of grapefruits from a nearby grocer and stealing packets of artificial sweeteners from the coffee shop (don’t worry, it was corporate). Following this, there may have been a bend in time, because next thing I know I’m preparing salads for roughly 30 attendees while Zack gives his presentation about CENTGG’s myriad projects. I, unfortunately, am unable to go into detail about the lecture because I tuned it all out to focus on shredding jicama. Maybe now I should be called Chef Intern #1. I prepared two salads, created from ingredients that traveled across continents after the Columbian Exchange. One salad brings the Old World to the New World, and the reverse for the second. The basic recipes are listed below.
Old World to New World
Green kale
English peas
Fresh apricot (chopped)
Roasted rhubarb
Dressing:
Olive oil
Raw, toasted pistachios
Garlic
Lemon juice
Water
New World to Old World
Jicama (shredded)
Red bell pepper
Avocado
Corn (raw, cut off the cob)
Tomato
Cilantro
The Entire Menu for the lunch time talk is as follows:
cocktail
Mutagenic Grapefruit, Jalepeno & Gin
amuse bouche
Doug Fir Tips
cheese
Geitost, Roquefort, Seastack
main
Columbaian Excahange Salad:
New World, Old World
The Center for Genomic Gastronomy
for Open Engagement
May 17, 2013
Thanks to Mack Mcfarland for helping prep at the last minute. Images 1 & 2 by Lexa Walsh, all other images by Jake Richardson. (Intern #2).
CURRENT & UPCOMING
April 9th - 10th 2024
Future Foodscapes. Ground Truth.University of Barcelona / S+T+ARTS MU SAE. Barcelona, ES.January 28th - May 29th 2023
Live and Let Live. To Flavour Our Tears. Museum Jan Cunen. Oss, NL.February 15h - April 30th 2023
More Meat Less Meat. New National Dish: Norway. Trondheim Kunstmuseum Gråmølna. Trondheim, NO.February 15h - April 30th 2023
More Meat Less Meat.Meatball Multiverse. Trondheim Kunstmuseum Gråmølna. Trondheim, NO.October, 2021 - June, 2022
Drought in Waterland, S+T+ARTS4Water, Veluwe region, NLSeptember 23rd - October 02nd 2022
WaterWORKS. Food Forest Fantasies. V2_ Lab for the Unstable Media, Rotterdam, NLNovember 19, 2021 - October 01, 2022
Planetary Indigestion, University of California Santa Cruz, USApril 27th - October 07th 2022
Balcony for the brave. De-Extinction Dinner. Hyundai Blue Prize Art+Tech 2022, Beijing, CN.April 21st - August 29th 2022
Does the Blue Sky Lie? Guided Smog Meditation. New Delhi, IN. KHOJ.October 08th - 10th 2021
Przemiany Exhibition. New National Dish: Poland, Copernicus Science Centre. Warsaw, PLNovember 18, 2021 - December 12, 2021
Grafill, risography exhibition, Oslo, NOOctober 16, 2021
SmakÅs, food and technology festival, Ås, NOSeptember 16, 2021 - December 31, 2021
Food Phreaks! Biodiversity of the Kitchen, Center for Genomic Gastronomy Solo Show, Norwegian Center for BioArt (NOBA), Vitenparken at Ås, NorwayOctober 13-15, 2021
ARTECH Contingency Exhibition, Aveiro, PTJune 12, 2021 - August 29, 2021
'Breathe Deep', exhibition at Tomorrow Maybe gallery, HKApril 24, 2021
OFF-biennale, Smog Tasting, Budapest, HUJanuary 11, 2021 - January 11, 2023
‘Cultures of Biotech’ Art’s Work in the Age of Biotech, online Exhibition at University of Pittsburgh, USDecember 11, 2020 - May 06 2021
'Welcome to the O.F.F.I.C.E', BAD Award expo Evolutionaries, MU Eindhoven, NetherlandsSeptember 02, 2019 - May 08, 2020
SEED-O-MATIC, Colby College Museum of Art. Maine, US.March 06 -07, 2020
Digital Wild (Conference), Trondheim Electronic Arts Centre. Trondheim, NO.January 24 - 25, 2020
QuozArt Festival 2020, Alserkal. Dubai, UAE.January 20, 2020
Bergen Center for Electronic Arts. Food Phreaks: Taste, technology, and open culture. Bergen, NO.November 08 - 10 2019
Microwave International New Media Arts Festival 2019: E.A.T. Smog Tasting Take out, To Flavour Our Tears. Hong Kong, CN.October 24 - November 21, 2019
ClimATE, Aalto University, Espoo, FI.October 11, 2019
Edible Futures - Friday Forum. V&A Museum. London, UK.August 23 - September 11, 2019
Da Vinci Creative Festival 2019: Living life. KoreaJune 07 - 10, 2019
The Agri-Cultures.Seed-Links Exhibition. Svalbard, NO.17 May - 29 September,2019
Creatures made to Measure. Design Museum. Ghent, BE.May 30 - June 05, 2019
Women in Art, Science and technology, FEMeeting, 2019. Lisbon, Porto, PT.February 28, 2019 - March 2, 2019
Sustainable Foods, Kavli Frontiers of Science Symposium, 2019. Irvine, California, US.February 14 - March 02, 2019
Interactivos 2019: Eating Against Collapse, Medialab-Prado, Madrid, ES.November 30, 2018 – March 10, 2019
TFOT: AnthroAquaponics System, Reshape, MU Artspace, Eindhoven, NLDecember 02, 2018 – April 28, 2019
Food Revolution 5.0, GEWERBE MUSEUM - A collaboration with Museum of Arts and Crafts (MKG).Hamburg, DE.October 03 -06, 2019
New National Dish, Przemiany Festival, Copernicus Science Centre. Warsaw, Poland.September 16, 2018-January 6, 2019
De-Extinction Deli, Creatures Made to Measure – Animals and Contemporary Design, Museum Marta Herford, GermanyAugust 24, 2018
To Flavour Our Tears Talk, RISD, Biodesign SymposiumAugust 24-September 27, 2018
To Flavour Our Tears, RISD Nature Lab, Biodesign ExhibitionApril 11 - Oct 08, 2018
New National Dish, MAAT Museum’s exhibition ECO-VISIONARIESJune 22, 2018
Endophyte Supper Club, Dublin, IrelandJune 19, 2018
Talk, Endophyte Club, The Irish Architecture FoundationMay 12 - NOV 04, 2018
Food Future Canapés, The Future Starts Here, Victoria and Albert Museum, London,UK.May 25 - 27 2018
Talk, Design Matters, Reconnecting Taste & Place, Hangzhou, ChinaApril 13, 2018
De-Extinction Dinner, Science Gallery DublinMarch 1, 2018
Climate Fiction PTDec 21, 2017
Serendipity festival, Goa IndiaOctober 21 - 29, 2017
Dutch Design Week: Embassy of FoodOctober 19 - 21, 2017
Experiencing Food (Lisbon)October 2nd, 2017
Variety Showcase, Culinary Breeding NetworkAug. 9-10, 2017
Hackers & Designers Summer AcademyJune 23-24, 2017
Zine Hotspot — Cork Printmakers @ WaterstonesMay 2017
NEPTUN ART/ SCIENCE LABNov. 8, 2016
New National Dish, Jeu de PaumeNov. 5 - Apr. 2, 2016
2116: Forecast of the Next CenturyNov. 5th, 2016
KiKK Festival WorkshopOCT. 14-16, 2016
Pixelache Festival visiting JYVÄSKYLÄOct. 12, 2016
Couterfactual Cuisine at IFTFSept 22-25, 2017
Pixelache Festival, Interfaces for EmpathySept 15, 2016
Food in Space, ESA, London Science MuseumJune - September 2016
Medialab Prado: Interactivos 10-Year CelebrationSpring 2015 - Summer 2016
Leverhulme Trust, Artist in Residence, the Rowett Institute, ScotlandMay 27-29, 2016
May Festival, Aberdeen. Food ForecastMarch - July 2016
2116 @ Glucksman Gallery, Cork, Ireland10 March - 05 June 2016
FIELD TEST Exhibition, Science Gallery, Dublin18 March 2016
Soylent Banquet, Internet Stadl, Dusseldorf9—21, FEB 2016
SMOG TASTING: SMOG SYNTHESIZER5-6 Febrary
De-Extinction Deli, AND Fair, Rijeka Croatia29 January 2016
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